Texts

essay

The Place of Painting

Ryosuke Kondo

The world we live in is an extension of the world built by modernity. While technology continues to expand our vision, we are losing our relationship with the earth that lies beneath our feet...

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essay

When "A Plant's Response to an Egg" Becomes Art

Miki Okubo

The work La réponse de la plante à l'oeuf (A Plant's Response to an Egg) was presented to mark the partnership between the Paris-based art association ILYAURA and the Paris art space The Window...

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essay

The Pendulum of the Image: Non-Visual Representation

Keisuke Mori

"The word image has a bad reputation." (note 1) "Eye and Mind," the last essay published during the lifetime of M. Merleau-Ponty, appeared in the first issue of Art de France in 1961...

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essay

The Pandemonium of Images

Masayuki Tanaka

In the past, around the time when communication theories based on the structuralist notion of semiotics were popular, communication was said to be founded on code...

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review

"from/to #3" WAKO WORKS OF ART

Yuichiro Takashima

This is the third edition of a program the gallery has been running since last year to introduce emerging artists...

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statement

To the Ground, to Above the Ground, Into and Out of the Crystal Palace

Tomohito Ishii

While walking through urban spaces, I feel a strange sense of floating when I observe the sky and cityscapes reflected in glass curtain walls — and my own reflection among them...

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statement

Mirrorless Mirror

Tomohito Ishii

When discovering and exploring the motif of the hole in the course of the “My Hole: Hole in Art” project, I ultimately arrived at the idea that a hole for me is a hollow space in which images are being received...

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statement

New Flat Field

Tomohito Ishii

I was gazing in the distance absentmindedly. The light remained when I closed my eyes. ―Norio Kobayashi, LANDSCAPES (1986) A memory of light...

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statement

untitled

Tomohito Ishii

An immature mood that serves as a source of inspiration dissolves into trembling images, severed from reality and circumstance. Colors arrive from everywhere...

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